Kudos Post #10

Here is Kudos Post #10. These are some screenshots of my Facebook - Facebook post dated 31/12/2023.

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 Facebook Content 

Exciting News for Dilbar Fans!

We are thrilled to announce that Dilbar Singh, the star of our new cartoon series "DIlbar," is making tracks into the international Rail Enthusiast Society's magazine – The Rail Enthusiast!

Get ready for a journey of laughter and fun as Dilbar encounters all sorts of adventures in the world of rails and beyond. We can't wait to share the chuckles and joy with all the rail enthusiasts out there! Amita is working on this with me.

 

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 Screenshots 

 

Kudos Post #9

Here is Kudos Post #9. These are some screenshots of my Facebook - Facebook Post dated 30/12/2023

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 Facebook Content 

A post on Pravasi Indians, a newsmagazine I was a cofounder of.

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Further issues of Pravasi Indians magazine are still available to read for free.

Here's a link to the October issue:

https://pravasindians.com/.../uploads/2023/12/PI-Oct23.pdf

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Kudos Post #8

Here is my Kudos Post #8. These are screenshots of  Facebook Post dated 30/12/2023

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Here is Kudos Post #9.  These are some screenshots of my Facebook - Facebook Post dated 30/12/2023

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 Facebook Content 

A post on Qwykr Technologies/TIQD, a startup I cofounded.

Happy to also announce that my startup is graduating from the IIM Bangalore program.

The valedictory ceremony / event is coming up shortly.

Reposting my previous post on the tech developed by my startup (update: no pictures are showing up, for some reason).

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🚀 In Praise of Elon Musk: A Personal Perspective 🚀

Hey everyone,

I've always found myself intrigued by Elon Musk, and I want to share a bit about my perspectives on this visionary entrepreneur. While I may not agree with every move he makes or every statement he utters, I've consistently supported Musk's ventures. There's an undeniable brilliance to his approach in tackling some of the world's most pressing issues.

Elon's relentless pursuit of innovation and his ability to turn seemingly impossible ideas into reality is something to admire. The audacity to challenge the status quo, from electric vehicles at Tesla to space exploration at SpaceX, has not only reshaped industries but has also sparked a new wave of possibilities.

That being said, Elon Musk isn't without controversy. His communication style, often candid and unfiltered, can be polarizing. It's true; he occasionally stirs the pot with his comments on various topics, from technology to world affairs. However, I believe it's crucial to distinguish between the words and the intentions behind them. More often than not, Musk's heart seems to be in the right place, even if his expressions sometimes raise eyebrows.

In the grand scheme of things, Elon Musk represents a unique blend of brilliance, ambition, and occasional eccentricity. While he may not be everyone's cup of tea, I think it's essential to appreciate the positive impact his ventures have had on technology and our collective imagination. Elon Musk is a disruptor, a dreamer, and whether you love him or question some of his choices, there's no denying the mark he's left on our world.

Here's to the innovators who challenge norms and push boundaries! 🌌

Jo Wada Kiya Woh Nibhana Padega

 Introduction:

In the illustrious realm of Bollywood melodies, there exist songs that etch themselves into the hearts of listeners, becoming anthems of timeless romance. One such classic is the enchanting "Jo Wada Kiya Woh Nibhana Padega" from the iconic movie Taj Mahal (1963). Composed by the maestro Roshan and penned by the eminent lyricist Sahir Ludhianvi, this song stands as a testament to the eternal beauty of love and commitment.

Melodic Magic:

At the heart of "Jo Wada Kiya Woh Nibhana Padega" lies the melodic magic woven by Roshan. The composition, with its graceful orchestration and melodious arrangement, transports listeners to a realm of pure romanticism. The interplay of instruments, from the soothing strains of the flute to the gentle strumming of the guitar, creates a musical tapestry that captures the essence of undying love.

Lyrically Poignant:

Sahir Ludhianvi's lyrical prowess shines through in every verse of "Jo Wada Kiya Woh Nibhana Padega." His words resonate with profound emotion, conveying the depth of a lover's promise to fulfill their commitment no matter the obstacles. Each line is imbued with poetic imagery, painting a vivid picture of the unwavering devotion and resolve of the protagonist. The lyrics serve as a poignant reminder of the enduring power of love and the importance of honoring one's word.

Iconic Performances:

No discussion of "Jo Wada Kiya Woh Nibhana Padega" is complete without acknowledging the iconic performances of its singers, Mohammed Rafi and Lata Mangeshkar. Their velvety voices blend seamlessly, breathing life into the soul-stirring lyrics and elevating the song to ethereal heights. Rafi's emotive rendition captures the fervor of a lover's pledge, while Mangeshkar's mellifluous vocals add an enchanting allure to the melody, making it an unforgettable musical masterpiece.

Everlasting Legacy:

Decades may pass, but the allure of "Jo Wada Kiya Woh Nibhana Padega" remains undiminished. Its timeless melody and poignant lyrics continue to resonate with audiences, transcending generations and borders. As we immerse ourselves in the ethereal beauty of this classic, let us be reminded of the enduring power of love and the importance of staying true to our promises, for as the song reminds us, "Jo Wada Kiya Woh Nibhana Padega" – the promises we make, we must keep.

Kudos Post #7

Another Kudos Post #7. Facebook Post dated12/1/2024

Dive into the world of laughter! Here are a couple of well executed cartoons. This is not NSFW, in other words, it is safe for work. Haha, unconfused a potentially confusing situation. Feel free to read this at work – because who said humor at work can't be a thing?

Kudos Post #4

This is Kudos Post #4. Facebook Post dated  21/1/2024

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From Facebook.

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Beautiful rendering #AIBasedArt of a temple on the occasion of the inauguration of the Ram Mandir.

 

"रहा गर्दिशों में ..." की अविस्मरणीय शानदारता का अन्वेषण

 Written with the help of ChatGPT. A lot of this may not even be accurate.

 

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परिचय:

बॉलीवुड संगीत के समृद्ध वस्त्र में, ऐसे रत्न हैं जो समय को पार करते हैं, अपनी अनवरत सुरों और गहरी गीतों से सुनने वालों को आकर्षित करते हैं। एक ऐसा रत्न है फिल्म दो बदन (1966) से अद्वितीय गीत "रहा गर्दिशों में ..."। इस गाने को बनाया है भारतीय संगीत के महान रवि ने और शाकील बदायुनी ने लिखा है, जो एक उत्कृष्ट कवि हैं। यह गाना जीवन की उलझनों के बीच अटल सहनशीलता का पोर्ट्रेट है।

सुरीली अद्वितीयता: "रहा गर्दिशों में ..." का मौलिक रूप से उद्दीपक, रवि के संगीत की सुरीली अद्वितीयता का प्रमाण है। दुखद सुंदर संगीत, संगीत के पारम्परिक विविधता और प्रेरणादायक वायलिन की आवाज के साथ एक आवाज़न निर्मित करता है। हारमोनियम, सितार और तारों का इस गाने में भावात्मक गहराई में खेल और मेलबट होने से यह गाना सुनने वाले को उसकी दुःखद लालसा में लिपटाता है।

गीतों की उत्कृष्टता: "रहा गर्दिशों में ..." की गीतों की शानदारता शाकील बदायुनी के गीतकारी की शानदारता में दिखाई देती है। प्रोफाइल में, शब्द दृढ़ता और आशा की सार्थकता को संक्षेप से छायांकित करते हैं। हर पंक्ति गहरी बुद्धिमत्ता के साथ प्रेरित करती है, श्रोता को जीवन की परेशानियों और तंगियों से बचने की प्रेरणा देती है। शब्दों द्वारा उत्पन्न चित्रण मानव आत्मा के अद्वितीय सहनशीलता की एक जीवंत चित्र को खींचता है, इसे एक समय की क्लासिक शान्त और शानदार बनाता है।

प्रसिद्ध अद्वितीयता: "रहा गर्दिशों में ..." की चर्चा कोई भी अद्यतित है न हो, बिना उस अद्वितीय गायक, मोहम्मद रफ़ी के बिना। उनकी वेलवेटी आवाज़ गाने को अधिक संवेदनशीलता के साथ भर देती है, प्रोत्साहित करती है कि अभिनेता का आंतरिक आंदोलन और अटल संकल्प के साथ। रफ़ी का सूक्ष्म प्रदर्शन गाने को परम ऊँचाईयों पर उठाता है, इसे हिंदी फिल्म संगीत का एक महान श्रेष्ठ के रूप में स्थापित करता है।

स्थायी विरासत: दशकों बीत सकते हैं, प्रवृत्तियाँ बदल सकती हैं, लेकिन "रहा गर्दिशों में ..." की खींचाव अपरिमित है। इसकी अद्वितीय सुरों और गहरे शब्दों का समय के साथ वातावरणों के लिए विश्वासी है, जो पीढ़ियों के बीच दर्शकों के साथ संबद्ध होती हैं, जीवन के संघर्षों और विकल्पों की चुनौतियों के बीच अपनी शक्ति को ढूँढते हुए। हम जीवन के जटिलताओं का सामना करते हैं, चलें इस अद्वितीय क्लासिक की शांत यादों में ताकत लेते हैं, जो यह पुनः पुनः समय का एक शानदार रूप बनाता है, चुनौतियों के बावजूद, मानव आत्मा एक स्थायी और अड़ंगी बनी रहती है।

विचारशीलता और विधायिका: जॉय भट्टाचार्य के पोस्ट पर एक नज़र

Below is a machine translation of the previous post (from English to Hindi). It is not the best translation; however, it is not all that bad either. The content may not be accurate also. 

What I find somewhat interesting is the following. What would happen if websites like Perplexity start consuming content, some of which was not even true, and then outputting it as though it was accurate? As we know ChatGPT can hallucinate, sometimes. You can see it hallucinating in many of these song reviews. Now, what happens if Perplexity cannot tell the difference and outputs that as what these songs actually say? 

Welcome to the Uncanny Valley of Uncannily Weird Media that is a hallmark now of the Twenty First Century.

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यह हिंदी में लिखी गई पोस्ट एक अनुवाद है जो पहले अंग्रेजी में किया गया था। यहां जॉय भट्टाचार्य के पिछले पोस्ट का हिंदी अनुवाद है, जिसमें उनके दृष्टिकोणों पर विस्तार से चर्चा की गई है।

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 ऐतिहासिक व्यक्तियों का चित्रण:

जॉय भट्टाचार्य की पोस्ट मुख्य रूप से ऐतिहासिक व्यक्तियों जैसे भगत सिंह, टैगोर, गांधी, और नेताजी का चित्रण करती है, उन्हें श्रद्धांजलि युक्त व्यक्तियों के रूप में प्रमोद पर्याप्त है। हालांकि, इन व्यक्तियों पर राय विविध हो सकती है, जो व्यक्तिगत विश्वास और उनके ऐतिहासिक भूमिकाओं के विभिन्न व्याख्यानों द्वारा आकारित हो सकती है। कुछ लोग इन्हें संत और प्रेरणा के प्रतीक के रूप में देख सकते हैं, जबकि दूसरे उनके योगदान को स्वीकार करते हुए उनके क्रियाओं की जटिलताओं को ध्यान में रखते हैं। यह सब्जेक्टिविटी ऐतिहासिक व्याख्यान की बहुपरकारी प्रकृति को प्रमोट करती है, और इसे महत्वपूर्ण है कि इन व्यक्तियों पर दृष्टिकोण विभिन्न हो सकते हैं।

कानूनी विश्लेषण की कमी:

जॉय भट्टाचार्य की पोस्ट में एक कानूनी सवाल का स्पष्ट रूप से विवेचन नहीं किया गया है, जो कि गौण रूप से कानूनी विश्लेषण की कमी को दिखाता है। महाभारत से पैरलेल खींचने पर ध्यान केवल साहित्यिक और दार्शनिक दृष्टिकोण प्रदान कर सकता है, लेकिन यह मुद्दे के कानूनी पहलुओं को पता करने में एक कमी छोड़ता है। कानूनी पहलुओं की अधिक समृद्धि एक समृद्धिपूर्ण चर्चा के लिए सहारा प्रदान कर सकती है, जिससे मुद्दे के परिणाम और उससे संबंधित प्रमेयों का और भी गहरा समझ हो सकता है।

महाभारत की नैतिक रूपरेखा पर चर्चा:

प्राचीन महाकाव्य महाभारत एक जटिल और अस्पष्ट नैतिक रूपरेखा प्रस्तुत करता है। जय भट्टाचार्य "अश्वत्थामा हतो, इति गज" कहानी का उपयोग करते हैं ताकि एक बिंदु को दृढ़ किया जा सके, लेकिन यह महत्वपूर्ण है कि महाभारत के व्याख्यानों में भिन्नता हो सकती है। किरदारों और परिस्थितियों के सुविवेचनात्मक चित्रण की अनुमति देता है, जिससे विभिन्न नैतिक विश्लेषणों की ओर प्रेरित किया जा सकता है। कुछ कृष्ण के रणनीतिक धूर्तपूर्ण उपयोग की प्रोत्साहना कर सकते हैं, जबकि दूसरे ऐसी तकनीकों के नैतिकता पर सवाल उठा सकते हैं। महाभारत की नैतिक परिदृश्य की अस्पष्टता को पहचानने से इसके नैतिक आयामों की और भी विस्तृत अन्वेषण को बढ़ावा मिलता है।

मतों का समर्थन और सार्वजनिक राय पर प्रभाव:

पोस्ट का सार्वजनिक समृद्धि और इस मुद्दे पर सार्वजनिक राय में सहमति का सूचीबद्ध होना व्यापक सांस्कृतिक, सामाजिक, या राजनीतिक प्रभावों का संकेत हो सकता है। सामाजिक रूपों, मीडिया कथाओं, और चल रहे भावनाओं जैसे विभिन्न कारकों से लोगों की राय को आकारित किया जा सकता है। सार्वजनिक राय के साथी प्रभाव की विषयी दृष्टि रखना महत्वपूर्ण है, इसलिए यह महत्वपूर्ण है कि व्यक्तिगत सांभावनाओं, कथाओं, और दिए गए समय के सांविदानिक परिप्रेक्ष्य में सामूहिक दृष्टिकोण को पहचाना जाए।

भारतीय चर्चाओं में धारावाहिकता:

जॉय भट्टाचार्य द्वारा उठाए गए विशिष्ट बिन्दुओं के पारे, एक गहरी चिंता उभरती है - भारत में चर्चाओं की धारावाहिकता की ओर। यह द्विविधा एकलिक मुद्दों को सरलीकृत करती है और विविध दृष्टिकोणों और संभावित मध्यम मार्गों की खोज की सीमा लगाती है। यह चर्चा को एक विभाजनकारी बाइनरी में घटित कर देती है, जिससे विभिन्न परिप्रेक्ष्यों और भारत के सामूहिक आत्मनिर्भरता और अवसरों के प्रति खुली और योजनात्मक दृष्टिकोण की प्रोत्साहन हो सकती है। ठोस लड़ाई के लिए अवसरों और चुनौतियों के सामूहिक समाधान की ओर बढ़ने के लिए इस विभाजन की पहचान और उसे चुनौती देना महत्वपूर्ण है। सख्तीपूर्ण शिविरों के परे खुले और योजनात्मक संवाद के लिए यह महत्वपूर्ण है।

Rendezvous with Rama : some thoughts from legal & non-legal perspectives

Today is a historic day. The Ram Mandir has been inaugurated in Ayodhya.

In view of the Ram Mandir inauguration, the cricket commentator, sports producer and writer Joy Bhattacharya has made a post on Facebook, which I appear to have access to. Please read below. 

[Joy B.] I appreciate the irony of using a story from the Mahabharata as an illustration for the point I want to make [...]

Its about the the  'Ashwathama hatha, iti gaja' story. As most of you remember, during the Battle of Kurukshetra, Drona who had taken over as the general of the Kauravas was unbeatable. And Krishna figured that the only was to get him was by trickery. 

So he decided to tell him that his son, Ashwathama, was dead, a piece of news that would devastate him and cause him to lay down his arms.  But Drona would not believe just anyone. The only one he would believe was Yudhishtira, who could never lie. 

Krishna convinced Yudhishtira to tell the lie, and to salve his conscience, had an elephant named Ashwathama killed. 

When the news of Ashwathama's death was spread, Drona would not believe anyone and went straight to Yudhishtira. And Yudhistira said, "Ashwathama Hatha, (and then sotto voce) Iti Gaja." Ashwathama is dead ..... the elephant.

Drona laid down his arms in grief, and Drishtadumnya, the Pandava general promptly decapitated him. 

The one thing most of us don't remember is that till then Yudhishtira's chariot would always float a few inches above the ground due to his piety. The moment he uttered this sentence, his chariot touched the ground!

I believed that this land of Bhagat Singh, Tagore, Gandhi, Netaji and so many others always held that higher ground, a land that the likes of Mandela and Martin Luther King Jr looked towards for inspiration and guidance. 

After today, we're firmly on terra firma.

My comments on this post are as below.

1. 1. Portrayal of Historical Figures:
   

2. Joy Bhattacharya's post prominently features historical figures like Bhagat Singh, Tagore, Gandhi, and Netaji, portraying them as venerable individuals. However, opinions on these figures can be diverse, shaped by personal beliefs and interpretations of their historical roles. While some may view them as saints and symbols of inspiration, others might emphasize a more critical analysis, acknowledging their contributions while considering the complexities of their actions. This subjectivity highlights the multifaceted nature of historical interpretation, and it's essential to recognize that perspectives on these figures can vary widely. It is obviously important to keep in mind that the actions of Bhagat Singh could be reasonably viewed as murder vis-a-vis John Saunders and the actions of Netaji Subhash Chandra Bose vis-a-vis working with the Axis as an act of treachery. While they may be all considered nationalists, one's nationalist mindset ought to be compatible with other legal and ethical considerations. In most legal systems today, whether common law or not, the actions of Bhagat Singh and Subhash Bose would be considered, respectively, homicide and treason. It can, by no means, be argued that these individuals were saints in any sense of the word. Are we to assume that just because they acted in the interest of nationalism, all of their actions are automatically ethically or legally justified? Je ne parviens pas à comprendre d’où pourrait venir l’argument de "la moralité supérieure". I am not able to understand where the "higher morality" argument could even come from.

3. 
   

4. 2. Lack of Legal Analysis:
   

5. Despite posing what appears to be a legal question, Joy Bhattacharya's post is notably absent of a legal analysis. The focus on drawing parallels from the Mahabharata may provide literary and philosophical insights, but it leaves a gap in addressing the legal nuances of the issue at hand. A more comprehensive exploration of the legal aspects involved would contribute to a more well-rounded discussion, allowing for a deeper understanding of the implications and considerations relevant to the matter being examined. The matter of the Ram Mandir has been discussed for quite a long time in the Indian court system, and it is not as though nothing was offered to the IICF trust (the Indo-Islamic Cultural Foundation trust) in return for the Ram Mandir. In fact, around 40 percent of the donations received by the IICF trust were actually made by Hindus. It is not clear at all which specific individual or individuals could be said to be the "aggrieved party" in this case, given that people could always pray at another mosque, given that this is already a highly controversial topic which deserves to be put to rest and given that what is under dispute is just a few hectares of land. It must also be noted that property prices are expected to appreciate significantly in Ayodhya following the construction of the Ram Mandir (the value of the appreciation is likely to be in the millions (U.S. dollars, of course.)), and so one must also keep in mind the practical costs and benefits of various choices.

6. 
   

7. 3. Debating the Ethical Framework of the Mahabharata:
   

8. The Mahabharata, as an ancient epic, presents a complex and ambiguous ethical framework. While Joy Bhattacharya uses the "Ashwathama hatha, iti gaja" story to make a point, it's essential to acknowledge that interpretations of the Mahabharata can vary widely. The epic's nuanced portrayal of characters and situations allows for diverse ethical analyses. Some may argue in favor of Krishna's strategic use of deception, while others might question the ethics of such tactics. Recognizing the ambiguity within the Mahabharata's ethical landscape encourages a more nuanced exploration of its moral dimensions. Furthermore, it really says very little when you are presenting what are really very morally ambiguous choices and actions as though there was some degree of certainty in terms of ethicality in any of those choices or actions. Où est la certitude, ici? Where is the certainty here?

9. 
   

10. 4. Consensus and Influences on Public Opinion:
    

11. The post's apparent resonance with a wide audience and the emergence of a consensus on the matter might be indicative of broader cultural, social, or political influences. Public opinion can be shaped by various factors, including societal norms, media narratives, and prevailing sentiments. Understanding the contextual influences on collective viewpoints is crucial for appreciating the dynamics of public discourse. It's essential to recognize that widespread agreement may not necessarily reflect the objective truth but could be a product of shared experiences, narratives, and prevailing perspectives within a given community or society. It is odd that so many commenters on Joy Bhattacharya's Facebook Page seemed to agree with him. Indeed, the agreement seemed almost unanimous with few detractors.

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13. 5. Polarization in Indian Debates:
    

14. Beyond the specific points raised by Joy Bhattacharya, a deeper concern emerges—the polarization of debates in India into "For Modi/BJP" and "Against Modi/BJP" camps. This binary framing oversimplifies complex issues and stifles nuanced discussions. It reduces the discourse to a divisive binary, limiting the exploration of diverse perspectives and potential middle grounds.

15. 
    

16. Recognizing and challenging this polarization is crucial for fostering a more inclusive and comprehensive approach to addressing the diverse challenges and opportunities that India faces. Encouraging open and constructive dialogue beyond rigid camps is essential for a thriving democratic discourse.

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At the end of the day, we need to ask: La Cour Suprême de l’Inde ne peut-elle pas agir dans l’intérêt national? Can even the Supreme Court of India not act in the national interest?

For those with a more litigative mindset, I request that these people read this as something written with the help of Artificial Intelligence and kindly refrain from threatening legal action, at least in this instance. 🤣 Je travaille dans le domaine juridique, mais c'est strictement pour payer les factures, pas pour avoir plus de factures juridiques 🤣I work in the legal area, but it is strictly for paying the bills, not getting more legal bills 🤣