To make a start more swift than weighty, here we go. I have compiled links to much of my previous writing work here. I also have placed here excerpts from my recent forays into the realms of Erato and Euterpe, the Muses of Poetry. In other words, I also have placed here some of my poems from my recent book of poetry.
This blog is meant to be both a resource and a platform: it serves both as a repository for my writing work and also as a platform for my writer friends to keep in touch with me. Another reason for this is that I have created two LinkedIn profiles so as to keep my writing work and professional work separate. This blog is meant to serve as a portfolio of my writing work, which I have been doing on the side while working. My Business CV is meant to serve as my resume for my professional purposes. I have been blogging and writing for a long time. So far, I have not succeeded in consolidating all the blogging and writing work I have done so far in one place. This blog, as of May 2021, is meant to be my One Blog To Rule Them All. I think this approach will work. At least, I hope so.😀
The book of poetry, now available on Amazon, is based on the theme of Covid. I also did a Reddit AmA on Covid on my recent book, which you can view on the Reddit website. The Covid-19 pandemic has exploded since the first cases were first reported in December 2019 in Wuhan. If you read nothing else about Covid, just know that with adequate measures, you can protect yourself from this deadly virus, and that you really should get yourself vaccinated if you at all can. Take care, and stay safe!
In the vast repertoire of Bollywood melodies, there exist songs that encapsulate the bittersweet essence of longing and nostalgia, resonating deeply with listeners. One such hauntingly beautiful gem is the poignant "Sudh Bisar Gayi Aaj" from the timeless movie Sant Gyaneshwar (1964). Composed by the esteemed Pandit Hridaynath Mangeshkar and adorned with the heartfelt lyrics of Pandit Bharat Vyas, this song is a soul-stirring exploration of the pain of separation and the passage of time.
Musical Elegance:
"Sudh Bisar Gayi Aaj" is a masterpiece of musical elegance, with Pandit Hridaynath Mangeshkar's composition capturing the essence of melancholy with exquisite sensitivity. The haunting melody, accompanied by the plaintive strains of the flute and the mournful notes of the violin, evokes a sense of yearning and introspection. The music flows like a gentle stream, carrying with it the weight of memories and emotions that linger long after the song has ended.
Lyrically Profound:
Pandit Bharat Vyas' lyrics in "Sudh Bisar Gayi Aaj" are a testament to the power of poetry to express the depths of human emotion. Each verse is a poignant reflection on the passage of time and the inevitability of change, resonating with anyone who has experienced the pain of separation and loss. The imagery is vivid and evocative, painting a vivid picture of the protagonist's inner turmoil and longing for a bygone era.
Iconic Rendition:
No discussion of "Sudh Bisar Gayi Aaj" would be complete without acknowledging the iconic rendition by the legendary playback singer Lata Mangeshkar. Her velvety voice imbues the song with an unmatched emotional depth, conveying the protagonist's sense of longing and resignation with heartbreaking sincerity. Mangeshkar's emotive performance, coupled with Mangeshkar's evocative composition, elevates "Sudh Bisar Gayi Aaj" to the realm of timeless classics.
Enduring Legacy:
Decades may have passed since its release, but the haunting beauty of "Sudh Bisar Gayi Aaj" continues to captivate audiences, transcending time and space. Its timeless melody and profound lyrics serve as a poignant reminder of the universal experience of loss and longing. As we listen to this haunting melody, let us be reminded of the impermanence of life and the preciousness of every moment we share with those we love.
In the enchanting world of Bollywood music, there exist songs that capture the essence of romance with unparalleled grace and charm. One such timeless classic is the enchanting "Mausam Hai Aashiqana" from the iconic movie Pakeezah (1972). Composed by the maestro Ghulam Mohammed and adorned with the poetic lyrics of Kaifi Azmi, this song is a melodious celebration of love amidst the beauty of nature.
Melodic Bliss:
"Mausam Hai Aashiqana" is a masterpiece of melodic bliss, with Ghulam Mohammed's composition evoking a sense of serenity and romance. The gentle strains of the sitar and flute, coupled with the rhythmic beats of the tabla, create a mesmerizing backdrop for the heartfelt lyrics. The melody flows like a gentle breeze, carrying with it the fragrance of love and the promise of eternal devotion.
Lyrically Poetic:
Kaifi Azmi's lyrics in "Mausam Hai Aashiqana" are a testament to the power of poetry to express the depth of human emotions. Each verse is a lyrical masterpiece, painting a vivid picture of love's intoxicating spell and the magic of a romantic rendezvous. The imagery is evocative and enchanting, capturing the essence of passion and longing with exquisite beauty.
Iconic Rendition:
No discussion of "Mausam Hai Aashiqana" would be complete without acknowledging the iconic rendition by the legendary playback singer Lata Mangeshkar. Her melodious voice infuses the song with an ethereal quality, transporting listeners to a world of timeless romance and enchantment. Mangeshkar's emotive performance, coupled with Ghulam Mohammed's evocative composition, elevates "Mausam Hai Aashiqana" to the realm of timeless classics.
Enduring Enchantment:
Decades may have passed since its release, but the enchantment of "Mausam Hai Aashiqana" continues to captivate audiences, transcending generations and borders. Its timeless melody and poetic lyrics serve as a reminder of the enduring power of love to transcend all barriers and unite souls in a bond that is as eternal as the changing seasons. As we listen to this timeless classic, let us be swept away by its romantic splendor and revel in the magic of true love.
The Back Cover pretty much captures most of what there is in the book.
Here is an earlier draft of the book's back cover.
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This is a book of poetry. But there is something quite special
about it. The poems in the book were written in under a day by the author Anand
Manikutty.
This was really just supposed to be a book of poetry. But
something interesting happened along the way. Anand, a member of Top Society
and Oath Society, both very selective High IQ societies, sent out some emails
on the Coronavirus to a mailing list set up by these groups. Encouraged by the
responses he received there, he decided to expand the poetry book he was
writing to include material discussing the Coronavirus pandemic as well.
As was said before, there is one thing very special about the
book of poetry he was writing. It is that the poems in the book were written in
less than a day. In fact, the entire corpus of poems was written in under seven
hours. This was done with the help of an A.I. created by the author.
What is significant about the A.I. is that it can write in the
style of any living author – assuming you provide the A.I. a corpus of work
pertaining to that author. To find out how these poems were created by such an
A.I. that was created for quite a different purpose, dear Reader, you will have
to read the book itself.
In this book, Anand has also included material based on his
online discussions with economists and strategic management experts regarding
the Coronavirus pandemic. He has even included portions of emails he shared
with members of TOPSociety and OathSociety. This is so that you, Dear Reader,
can also get a sense of how economists and evidence-oriented individuals think
about and approach large-scale problems such as the Coronavirus epidemic.
There really are better models out there. One just needs to
think about things in a model-based and evidence-based way. Anand also
predicted that the War in Iraq would not go well. If his predictions in this
book are correct, that is another trillion-dollar mistake that could have been
avoided using his models.
IN THIS BOOK, FIND OUT
·How Anand's A.I. wrote a book of poetry - from start to finish –
in less than a day.
·How and why Trump is getting the response to the Coronavirus
wrong, and which social scientific models could have been used to get the White
House’s decisions right in the first place.
·Which poem in this collection Harvard's Prof. Michael Witzel
liked the best.
·About a new theory, the Theory of Reproducibility in the field
of Art.Like the Theory of Disruptive
Innovation in the field of Innovation, this theory in the World of Art explains
a number of phenomena we see there. For instance, it explains why Indian
Classical Dance and Japanese Traditional Theater have not found wide popularity
in the West. Also, why there are so many web developers in the world. And why
Britney Spears is so successful. Besides many other things.
BIOGRAPHY
Anand Manikutty got his
undergraduate degree in Computer Science from the Indian Institute of
Technology, where he was awarded the Governor’s Medal. Mr. Manikutty is a
computer scientist, technology entrepreneur and inventor holding over 15
patents in computer science and technology and over 10 publications in these
fields. He is an alumnus of the University of Wisconsin, Harvard Business
School and Stanford University. In addition to computer science, he has also
contributed to work in the fields of strategic management, organization
behavior and philosophy. He even has a paper on that age-old question whose
answer we thought we knew: “Which Came First – The Chicken or the Egg?”. When
not working, he likes to go on various random adventures. These have included
such activities as swimming with sharks, and white-water rafting in crazy rivers.His parents think
that if he makes it to fifty, it will be due to sheer luck and nothing else.
One thing: I have simplified the exposition of the Theory of Reproducibility introduced in this book.
There is a very accurate model for this, but unfortunately, it is in three dimensions. I didn't want to have a three dimensional model in the book because I was advised to avoid having too much by way of complex mathematics. So, I tried to introduce the idea using a two dimensional model.
The exact model is as follows: consider a two dimensional graph on which you plot each work of art pertaining to each artist of interest. On the X Axis is a measure of the virtuosity of the artist (thus, to the extreme right are artists with high levels of virtuosity such as Mirza Ghalib or Yo Yo Ma, and on the extreme left would be the really poor singers, such as an erstwhile neighbor of mine who used to sing in the bathroom.) On the Y Axis is a measure of the chances of the work of art appealing to the general population (on the top extreme are works of art with likely high levels of mass appeal such as Britney Spears' albums and on the extreme bottom are works of art with likely very low levels of mass appeal such as Ghalib's poetry). On the Z Axis for each work of art, plot an estimate for the audience number for the same.
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One can easily see that the smart move for artists who possess high levels of virtuosity is to move down the Y Axis.
When they do that, they can capture an extremely large market running into the millions, and they could become very rich indeed, even if, say, they only charged a dollar a song.
Blogger has been fun. But is time to move on to the other things. We are moving on to Twitter. I will post the URL to the Twitter feed in due course of time once I have it set up.
Here is where the previous editions of this blog have been hosted:
In the enchanting world of Bollywood music, certain melodies transport us to a realm of timeless beauty and romance, evoking the joy and splendor of spring. One such captivating gem is the exquisite "Jashn-E-Bahaara" from the epic movie Jodhaa Akbar (2008). Composed by the maestro A.R. Rahman and adorned with the soul-stirring lyrics of Javed Akhtar, this song is a mesmerizing ode to the enchanting beauty of nature and the awakening of love.
Melodic Splendor:
"Jashn-E-Bahaara" is a masterpiece of melodic splendor, with A.R. Rahman's composition weaving a tapestry of emotions that captures the essence of springtime bliss. The ethereal strains of the flute and the gentle rhythm of the tabla evoke the delicate beauty of blossoming flowers and the soft caress of a gentle breeze. The melody dances with a sense of joy and anticipation, inviting listeners to immerse themselves in the magic of the season.
Lyrically Enchanting:
Javed Akhtar's lyrics in "Jashn-E-Bahaara" are a poetic masterpiece, painting a vivid picture of love's awakening amidst the vibrant colors of spring. Each verse is a lyrical marvel, expressing the exhilaration of newfound love and the longing for union with the beloved. The imagery is rich and evocative, transporting listeners to a world of romance and passion that transcends time and space.
Iconic Rendition:
No discussion of "Jashn-E-Bahaara" would be complete without acknowledging the iconic rendition by the legendary playback singer Javed Ali. His soulful voice infuses the song with an unmatched emotional depth, capturing the ecstasy and yearning of love's tender embrace. Ali's emotive performance, coupled with Rahman's exquisite composition, elevates "Jashn-E-Bahaara" to the realm of timeless classics.
Everlasting Appeal:
Decades may pass, but the enchanting beauty of "Jashn-E-Bahaara" continues to captivate audiences, serving as a timeless reminder of the eternal allure of love and nature's boundless splendor. Its timeless melody and evocative lyrics resonate with listeners of all ages, inspiring a sense of wonder and reverence for the beauty that surrounds us. As we listen to this beloved song, let us celebrate the magic of spring and the joy of love's eternal dance.